Caulk for texture blowout-- a circle abstract piece

Well, once again it's been too long since I posted some new art.  My blog seems to be getting away from me, which definitely bothers me.  Lately, my blog hits have dwindled significantly, which hurts a lot.  Then again, I have to keep reminding myself that my blog, although it's very important to me, is only one part of my life.  A big part yes....but only one part.    The same thing with making art.

I've been in a mini-slump lately, meaning I've worked on some art but not to the extent I wanted.  I've been in much worse slumps, so in comparison, this one hasn't been that bad or frustrating, or even guilt producing.  So....that being said, here is my latest work of art, started and completed yesterday.

Well, as I've written before, I do love using caulk as an art medium, especially for texture.  And since most of the time, I tend to put a lot of emphasis on texture, caulk is right up my alley.  I love it, because it works, it's easily accessible and available, and it's cheap and economical.  It can be bought an any home improvement store for just a few dollars.  It has also been available at Family Dollar stores for a buck for the kind of tube that needs a caulk gun.  That's where I've been buying it as long as they sell it there.  I hope they keep selling it there, but I've stocked up on it, just in case.

Referring to this art piece, I used a thick piece of chipboard for the base.  Well, a few months ago, I bought 75 pieces of this chipboard on ebay, and am so glad I did.  The price was great, the shipping was not so great, but the overall price was reasonable.  It works for me on this kind of piece, which is 8 1/2 x 11 inches.  I used a non-serrated vintage butter knife to spread the white acrylic caulk.  I tried to spread it fairly thin.  Then I used the knife to texturize it in a somewhat random way.  Then I used foam circle stamps, a larger one and a smaller one, to impress on the caulk and swirl it around and pull it up.  And also a drinking straw to make smaller circles, and  then a sharp awl to draw lines in it.  Once I was done with it, I was satisified.  So then I let it dry.

Then I painted it with coffee acrylic paint, and then rubbed over it with brown shoe polish.  I've done this many times before in my art, but not so much lately, since I've been more into using bold color.  After that, I used gold and coffee metallic paint diluted with water to roll down the piece in a random way, based on the texture.  And then painted it with Future Floor Finish (FFF) for a gloss effect, and used splattered copper and gold Pearl-Ex over that.  I wanted a random paint effect, which I think I achieved.

So anyway, this is the abstract texture piece I ended up with.  I like it a lot.  And it just reminds me how much I like using caulk, the poor man's molding paste.  I think, even if I could afford to spend money on the most artistic/expensive supplies and tools, I'd much prefer to use other things, cheaper things, for basically the same effect and result.   I'm a lot more about that approach, at least whenever I can be.  I love using things not purposed for art in my art.  I love pushing the envelope that way, and also saving money.  

But then again, I think there needs to be a balance regarding that.  Because some art supplies can't be easily substituted by something else.  However, as for me, I'm always game to try!!!

My first "killed catalog"

Oh my, it seems like it's been too long since I posted new art. Or even made new art. Well, as I've said before, at times, life and reality intervene, and so art gets relegated to the back burner for a while. That has been the case for me lately.

However, I'm happy to post this new work, which I made a few weeks ago. I started reading Maggie Grey's blog about killed catalogs, and it seemed very intriguing to me. So I thought I'd give it a try with a catalog I got in the mail. I mean using anything free as a base for art always attracts me, which is one reason why I've used frozen pizza cardboard (FPC) for years as a base for most of my art. However, before I started reading Maggie's blog, I'd never heard of "killed catalogs", and the whole concept was totally new to me.

Maggie's concept was to bury a catalog outdoors and let it disintegrate for a period of time. As for me, I wanted more instant results, so I changed things up a bit and took my own approach. First I soaked the catalog overnight in water, then put it on my picnic table on the patio the next day to dry out. It did dry out to some extent, but then an art buddy, Linda East, suggested I finish the drying process in my clothes dryer. I thought - what a great idea - so I tried that. First I put it in a mesh dryer bag, but it escaped the bag, and got somewhat mangled in the dryer. Luckily, it didn't leave a big mess in the dryer.

Then Linda suggested painting it with flour paste, and baking it in the oven. That sounded good to me, since I wanted to adhere it all together, and coat it with something, and hey, flour paste is cheap, right? So that worked out well. Then I painted it with a coat of white gesso. Then misted it with Memories Mists Strawberry Daiquri, and Mod Podged down some netted fabric , and then some yellow lace on top of that.

Then I frosted some caulk over parts of it and texturized that and let it dry. Then I rubbed paint over the caulk with my finger using burgundy and orange, then misted Memories Mists Mango Lemonade (a cool yellow color) over that.
I glued down some threads, burgundy twine and leaves, and frayed fabric strips. And then the orange circles, punched out of paint chip, and the yellow square paper clips, and the yellow plastic "9" in the bottom left corner. The "9" is rather hard to see on the scan. I did a scan on this, and the art piece was bigger than my scan surface, so I didn't get it all on there. I had to sacrifice the far right side, where I had glued down three orange circles and two square paper clips. So one circle and the two paper clips don't show.

I'm happy with how this turned out, although it doesn't look much like a killed catalog, a la Maggie Grey. Meaning it doesn't have much dimension, and ended up rather flat. But hey, this was my first try at this, and I mostly improvised on the spot. And gee, isn't that what making art is all about anyway? We can all start out with a plan, and then kind of get sidetracked into a direction our muse takes us, and end up with something much different than what we planned. So I guess I have to say that's kind of what happened here, but even so, I really like the end result.

I'd like to thank Maggie Grey for coming up with the idea of killed catalogs and posting about it on her blog. And for opening the door to something new and different, a new idea, a new technic. And I'd also like to thank my art buddy, Linda East, who came up with some great suggestions. Take a look at what she's done with her killed catalogs on her blog. I think they are totally great!

In closing, I'm so pleased to post some new art. I have another art project I'm working on, which is my first fabric book ever. It's a project in my local art group, and one that has taken me far too long to make progress on. It has been very slow going, one small step at a time. I think partly because I've never done a fabric book before, so I feel more than a bit intimidated and lost. I don't know how long it will take me to finish, there is no specific deadline, but I am determined to finish it. All in due time, whatever that means.

Beneath Rebel Skies

I'd like to take this opportunity to introduce my niece Shannyn to all of you.  She's 17 years old and will be a Junior in high school next year.  She's a voracious reader, loves to read and loves books, and also loves to write.  Her dream and goal is to become a writer, as in an author, or screenwriter, or journalist.  She's been writing for several years, and I believe she's very good at it.  I totally support her in her excellent writing, and helped her to start her own writing blog a week ago.  Here's the link to her blog Shannyn's Writing and I also have a link to it on my blog, just scroll down to find it on the right side.

Today I'm featuring part of a story Shannyn wrote in the 8th grade, or two years ago.  When I read it, I was so impressed, I wanted to put it on my blog for the rest of you to enjoy, and also to give Shannyn's excellent writing some exposure.  She's excited about her new blog and I hope she posts her writing on a current and consistent basis.  I keep reminding her that if she wants to make her dream come true, it will take hard work and dedication and self-discipline.  I believe she's up to the task.  I also believe she has the "gift" of writing, and has worked hard to develop her gift and her skills.  I'm very proud of her.  

Her story starts below.  Please enjoy and feel free to leave any comments you may have if you'd like to.  I'm sure that would thrill Shannyn.

Andersonville concentration camp, Georgia, 1863: Ice cold rain pours through the musty train cars, packed with hundreds of men, as cattle brought to the slaughter. I shiver, the soldier standing beside me has a hacking cough, can’t stop. He sounds awful, like an old man, yet he cannot be over fourteen. I myself am but sixteen, though I have seen more in my short life than most have seen in fifty years of living. The air is rank with the scent of sweat and blood. My nostrils fill with the smell, though it is not half as bad as some, it makes my stomach swim. The train comes to an abrupt stop, lurching forward and sighs as an old farmer after a hard days work. Shouts and orders can be heard. A lowly Johnny Reb yanks the door open, revealing his bearded face. “Get outta the train, you filthy yankee dogs!” His young voice penetrates the thick air, arousing all prisoners, soon to be granted their fate. The great mass of bodies moves as one, making its way out of the train.

Frozen hard ground gives way to a demonic black sky. Lightning strikes, not a mile away. Thunder gives his answer with a resounding crack, which penetrates the wind blown atmosphere. Rain drops hit my tanned skin, as rocks upon a valley floor. The formerly beautiful sound of pouring water fills the air, soaking all that inhabit South Carolina in its unforgiving vengeance. “All right, you maggots, form ranks and prepare to march!” It was the young soldier again, perhaps informing his prisoners that he intended to provide them with everything terrible and evil. The mass of bodies moves a second time, with me somewhere in the middle, smashed and forgotten amidst such numbers. The sky wreaks her havoc upon the war torn ground and its occupants as all stagger towards their God given fate.

Finally arrived at the prison; Johnny Rebs shove us through the gateway, and into the camp. I suppose I simply expected something more, perhaps tents or quarters; yet there was nothing of the sort. Instead, sparse weeds littered the ground, as bones upon and ancient battlefield. Pushing their prisoners through, the Rebels shout orders to each other and let us be for the time being. I, along with many other Yankees, fall to the mire in exhaustion.

I awake the next morning to yells and groans. Morning dew soaks the already muddy ground, making it virtually impossible to navigate, ensnaring many in its boggy grasp. Coughing and hacking prevail through all other sounds, so many of my fellow soldiers sick from wounds or disease, cursing them in battle. Still, no shelters have been erected, no nourishment provided, despite the drenching rain and howling wind. This storm is unceasing, as if God is displeased with all the liquid falls upon. I wrap my uniform closer about my body, hoping it will keep me warm from the elements. Some men attempt to start fires near the wall, despite the pigeons nests atop, with Rebs sticking their noses out, awaiting an excuse to shoot someone. Their attempts are hindered by the weather, yet they continue their effort.

I, too deeply desire warmth. I spot three men huddled together, so I join their group, hoping for warmth and companionship. “Dang Johnny Rebs, they wouln’t stick thay own soldas in this God fersakin place.” Willy complained. He was in my regiment, though I never much liked him. “Ah, shut up Willy, I’m tryin ta git some shut eye.” This man I didn’t know, he was mighty tall, I could tell that from looking at him. The third soldier didn’t make a sound, just sat there shivering, his dark eyes observing their gloomy surroundings, as a hawk on the hunt.

“Git up, yank, no time fer sleep at this hea place.” “Ohhh.” I groaned, he had kicked me in the ribs, as if I was a dog that needed discipline. “I said git up!” The Reb made a second attempt to injure me, bringing his foot back; I managed to dodge it. He cursed at me and sauntered off as I tried to adjust my eyes to the bright light. It had stormed for three days straight, never letting up. Yet today it was surprisingly hot. The bright sun hung in the sky, her eyes full and watchful as those below made their way about the earth. I wonder what she thought of our circumstance, if she cared or thought about us at all. Her gaze pierced the cloudless sky and shone upon my darkened skin. I saw the three men I had met two days before near the wall, constructing a lean to out of spare wood for reprieve from the sweltering heat. I moseyed over to them, hoping again for conversation.

2nd Part of Big Reveal -- Heather's piece

I decided to post Heather Robinson's piece from our collaboration project on my blog. My piece, and my explanation of our project, are posted below. Heather sent me her beautiful background on stretched canvas. The colors were so yummy and soothing, it inspired me to do a nature theme on it.. I love doing nature themes. As you can see, our pieces ended up very different, but I think they are both beautiful. Our project was very successful.

Big Reveal of 2nd Collab Project

I'm so thrilled to be able to post this beautiful art work. This is my second collaboration project of this type. My dear friend Heather Robinson and I teamed up to put our hearts and minds together to create this piece. One I am in love with, I don't mind saying, and I'm so excited and grateful that it's MINE ALL MINE!!! This arrived in the mail last week, and I've been admiring it ever since.

The first picture is of the background I made on this 8x10 inch piece, done on thick piece of chipboard. Then I mailed it to Heather for her to work her artistic magic on it. And so she did, and I'm in awe of what she turned this piece into.  The second picture is what it looks like now.  I totally LOVE what she did, and the result of our heartfelt collaboration. She made her background on stretched canvas, and sent it to me, and I did my part on that and sent it back to her. From what she told me, she loves her piece too. We chose to synchronize our blog posts of "The Big Reveal", so you can click on her name above to see her piece, and what I did on that.

I'm happy to post the before and after pictures here of my piece. Because it shows how Heather transformed my background into a totally different work of art, by using what I did as a jumping off point. One that never would've happened or been created if we hadn't done this together, as a collaboration. And I did the same with her background. I was oh so excited when this arrived in the mail, and I could finally see how she chose to complete this piece. I kept wondering and guessing in my mind, but had no clue what she was doing on it. Once I opened it, I was in heaven, and at peace. Because this was perfect, and meant to be, and far exceeded any expectations I had.

I realized that she finished this piece in a way I never would have, meaning it never would've occurred to me to do what she did, not in a million years. Because we are two different and individual artists. One interesting and even surprising thing about this collab effort is that although Heather and I have the greatest respect for each other's art, we both admit that our art and art styles are very different, indeed almost opposite. She uses a lot of vintage images and text in her art, whereas I rarely do. My art style is more raw and unexpected and unconventional, and hers is more refined and elegant and generally conveys a message. Initially, this was a bit of a concern to us, that our art styles are so very different.

In the beginning, I think both of us, secretly and privately, felt like we had to reach for the "middle ground", and try to make art more like the other person's style. But over time, in a number of wonderfully honest  and vulnerable emails, we expressed our thoughts and feelings about this, and realized the goal was not to meet in the middle, or compromise our own art styles, but to make our own art in our own styles, and be true to ourselves. Once we established that and agreed, we felt freedom and excitement and anticipation at what the other would do on our backgrounds. That made it so much more interesting and exciting, knowing that our art styles were so different, but that we could still be true to ourselves.

Heather and I were online acquaintances and friendly before we embarked on this collab effort. But in the process of doing this, we became true friends and got to know each other much better, in a much deeper way. Our friendship grew and blossomed, because we shared our true thoughts and feelings about our art and ourselves and this whole process and collab effort. Now we have a wonderful and special friendship that we intend to maintain, that we both appreciate so much. And I don't think that would've happened if we hadn't embarked on this venture and adventure, and both said an unqualified YES to it, even though we both had some underlying fears and concerns.  I am just so grateful that Heather and I agreed to do this project. Grateful for the awesome, beautiful art piece I ended up with....but even more grateful for the friendship and connection we developed, which to me is the real prize!!! Thank you so very much dear Heather, for this awesome art piece, and even more so for your friendship.

I have to shout out to the world -- MISSION ACCOMPLISHED -- beyond my hopes or expectations, regarding this collab effort. And I also have to say that the same thing happened in my first collab effort, with Mary Schweitzer. Click on her name to see my finished piece from her. Mary and I also became friends as a result of our collab effort. Gee, it's funny how that happens. No, not really. I think it's the extra bonus, the special gift, of doing this kind of cooperative venture and adventure with another artist.

So as you might expect or understand, I'm very big on doing the collab thing right now. It's rather a life changing experience, as a person and artist. At least it has been for me and for Heather, as she told me that. I see it as the next step of my art journey, and life journey. And it's not like I sat around and thought about it, about doing collab projects, before the idea came to me last summer. Because it just popped into my head, out of nowhere, totally unexpected. And I just went with it, and invited Mary and Heather to jump in and go with it too. I simply did it on impulse, and am so happy and grateful I did and they did. (Because sometimes when I do things on impulse, well the outcome isn't so great, LOL.)

For those of you artists out there reading this, I totally encourage you to jump in and do a similar collab effort, for the first time. At least try it once, but most likely if you do, you'll want to do more than one. (I've got two more going right now.) I am very fortunate to have a local art group here in Denver metro that meets once a month, and I totally love it. But many of you don't have that. And so I know, you make your art alone at home. Yes, you may belong to great yahoo groups and visit blogs, and know a lot of artists online as acquaintances, but when it comes to online art friendships, and really connecting with other artists, do you have that? Well if so, that's wonderful. If not, and you'd like to have that, then you might need to reach out and take the initiative, and propose a collab effort with another artist. The most likely by-product of that will be friendship and a beautiful piece of art.  And gee, if they should turn you down for whatever reason, that's okay.  Just know there are other artists out there who would love to do this and would say YES!

I don't know, maybe I'm trying to start a movement here. My muse hasn't confessed to me if that's what she's up to or not. I just know doing a collab effort is a very special thing, with so many positive benefits. It's a challenge, a growth experience, a cooperative experience -- that isn't available doing art alone. It's a totally different experience, and a positive step forward in my opinion, in the art journey. It requires trust, cooperation, communication, vulnerability....all things that build friendship.  All things that may not be easy, but the rewards make it totally worth it, in my opinion.

Well, I hope I didn't go on too long here, but this means a lot to me. Not only in my own collab efforts and experiences, but in my hope that YOU out there will try this also, and reap the wonderful rewards and benefits I have. So yes, I'm trying to start a Collab Movement here.   I'm wondering, what is the next step in this MOVEMENT?  Perhaps the sky is the limit.

The rest of my heart postcards

Ahh yes, these are my last seven out of ten postcards, if you include the post below. I wasn't able to upload all seven photos in one post, so this is a "split post", so to speak. I've had hearts on my mind and brain for well over a month now, while making all these postcards. It was a fun swap and I love the heart theme. However, at this point I'm glad all my postcards are made and in the mail.

I won't go into detail on how I made these, for fairly obvious reasons. Suffice it to say I used a fabric background on all of them, which was my goal. On some the fabric is glued to frozen pizza cardboard (FPC), on the others I used the Mod Podge technic (explained in a previous post). They are all different, which was my plan.

Soon I'll be starting another collaborative effort with another online artist. Something I look forward to. And also working on my own fabric book, the first time ever. That is if I can get over my fear and intimidation of my new electronic Brother sewing machine. I totally love it, but am not familiar or comfortable with it yet.

The rest of my heart postcards

Read above post about these postcards.

A dream come true....and my 100th blog post!

 

Yes indeed, this is my 100th blog post. When I started this blog on February 10th of 2008, I never envisioned making my 100th post. At that time, as a newbie blogger, I was concerned about making my first few posts, and doing it right. And here it is, 14 months later, and I'm up to posting for the 100th time. So for me, this is kind of a milestone of sorts, and one I'm happy to celebrate.

But even better yet, I have some very exciting news to post about on this special 100th post. I'm marveling at the "timing" of this, and thinking perhaps it was meant to be. My exciting news is that my art work has been published! Yes, a dream and goal of mine has come true. And I'm thrilled about it, even bouncing off the walls.  The new book in which my work is published is Collaborative Art Journals and Shared Visions in Mixed Media by L.K. Ludwig. It's supposed to be available in June, but can be pre-ordered on Amazon here: http://www.amazon.com/reader/1592535208?%5Fencoding=UTF8&ref%5F=sib%5Fdp%5Fpop%5Fidx&page=139#reader-link.

This is the first and only time I've submitted my art for publishing. It came about this way. Over a year ago, I joined a very cool yahoo art group, one of my favorites, http://groups.yahoo.com/group/ExpressionStudio/. I became acquainted with, and friends with, two wonderful artists in that group, Darlene Wilkinson and Gail Pierce. Darlene saw the call for art for this book, and invited Gail and myself to participate in a collaborative effort to make a book for submission. She chose the theme for the book as "Circles". Gail and I enthusiastically accepted her invitation, and got busy making eight pages each on manilla folders, and sent them to Darlene, who made her eight pages and then compiled our book and sent it in. We heard back that our book was being considered for being included in L.K. Ludwig's book, and of course we were thrilled. Then for the next year, we didn't hear another thing about it, or receive any communication. 

So we've been in the dark about this for over a year, and didn't know until a few days ago when her book was coming out or that our Circles book was included. But now we know, and we're all so excited about it. We are each supposed to receive a complimentary copy of the book, but we don't know when it will arrive. I'm chomping at the bit to get mine, because I don't know which pages of our book were published. And beyond that, I'd love to see and read her book.

So, that's the story on this "adventure", this dream come true for me. When we submitted this book, I was so, so hoping it would be accepted for publishing. And yet, I was wary of having too high expectations, and then possibly being disappointed. I tried not to put too much importance on this, or obsess about it. So yes, it was a dream and goal, but one I tried to keep in perspective. And it's so wonderful to end up achieving this goal, rather than end up disappointed. 

I want to give a lot of credit and thanks to my friend Darlene, who initiated this whole idea and our book. Because without her, and if she hadn't so kindly invited me to take part in this....well, this never would've happened for me. Thank you so much Darlene! This book was my first collaborative effort, and it encouraged me to persue other collab efforts with other artists, although those weren't for the purpose of submission for publishing. 

The five photos in my last post and the three in this post are of my eight pages in our collaborative Circle book. I've wanted to post these on my blog for over a year, but wasn't able to do that due to the rules of submitting for publication. Now, I can finally post these, which makes me happy. I'm a very happy lady today, for a number of reasons. Today is a good day for me.

My pages in a collaborative Circle book

Read the next post about this Circle Book.

Ahhh yes, another fabric heart postcard

Well, I'm involved in a heart postcard swap in a favorite yahoo group right now, and I have to make nine of them. So far I have five done, and four to go. Obviously I have hearts on the brain while I'm making these, and will be posting all or some of them on my blog. All the ones I've made so far are different, but I'm a bit worried about running out of original ideas for all nine of them. We'll see if my muse, Bonita, comes through for me, or if I end up duplicating some of them. The heart theme is right up my alley, because I love using hearts in my art, and have done it fairly often.

I used yellow fabric for the base of this piece, and frayed the edges. I often do that when I use fabric in my art. (I used the Mod Podge on plastic technic that I explained in my post of March 11th, so scroll down to read about that technic). Then I stamped with lavender and green acrylic paints, using my new harlequin stamp and a bottle lid for the green circles. Then I glued down the threads from fraying for great texture.

The cute bird is stamped onto a distressed paint chip (I've explained the distressed paint chip technic in a number of previous posts), and for the heart I glued lace fabric cut from a blouse onto paint chip, then painted it yellow, then rubbed over it with lavender paint. I also glued down a small skeleton leaf, and five seeds that I painted with my very cool three tip paint brush. I also used that brush on the edges for the lavender lines.

I'm proud of myself that I actually used some stamps on this piece. As I've said before, I have sooo many cool stamps and yet so seldom use them in my art. I'm not sure why that is, but it bothers me. Especially when I have so many great stamps, most of which I've never used even once. How sad/crazy is that??? And yet, I keep buying stamps, which makes it even crazier. In fact, I have to fess up that I bought some new stamp sets from Addicted to Rubber Stamps just a week ago, when they had their 31% off sale. They haven't arrived yet. I saved money on the sale, but the shipping cost was a big "ouch"! Due to the high shipping cost, a whopping $8.37, which totally made me wince, I only ended up saving a few dollars on the whole deal. I just can't believe the shipping was so high, when I know the unmounted stamps don't weigh that much.

I rarely buy things online for that very reason -- the outrageous shipping costs! But these are stamp sets I haven't seen at Hobby Lobby or Joann's, so I could only get them online. And now, I'm wondering (and fearing) how long it will take me to actually use them in my art. So anyway, I'm trying to make myself use my stamps more in my art. At least that's a goal of mine.

A Blog Award from Karleen

Oh my, I've been awarded another blog award. How wonderful is that? Karleen, of the blog Vibrant Jewels, gave me this award. Her blog name is very appropo because yes indeed, she does use vibrant jewels in the beautiful jewelry she creates. And her gorgeous creations are in her etsy shop. Thank you so very much Karleen for thinking of me and giving me this award. I am honored to accept it and to pass it on to three other deserving artists. My choices are:

Dawn Gold of Gold Betty Boop

Christy of Average American Girl

Faye of Faye's Art Blog

Just click on their names to go to their blogs and enjoy their beautiful art work.

Nature Art

This is a 4x6 inch piece I did over a year ago and posted on my blog way back then. I'm posting it again now because I want to enter it into the Saturday Surprise challenge, of which my good art friend Heather Robinson is hosting. The theme this week is Mother Nature. Also, when I first posted this piece my blog was very new and not that many people knew about it or visited. So this time around perhaps more people will view and hopefully enjoy it. If you want to know how I made this piece, here's the link to my first post, where I explained that. http://valsalteredheartjourney.blogspot.com/2008/02/ive-been-good-little-art-do-bee.html

Regarding nature art, I love it. It's one of my favorite themes. I mean, what could be better than using items from nature to create art? I used tea dyed cheese cloth to wrap this piece, kind of like a present I guess. I love using cheese cloth in my art, and love it even more if it's tea dyed. The idea to wrap it like this came at the very end, when I thought it was done. But it wasn't quite done yet, according to my muse, Bonita. Oh yes, I do love her....but sometimes she can be frustratingly contrary and unpredictable. However, on this piece she came through for me, and I think wrapping it with the cheese cloth was the exact right thing to do. Thank you Bonita!

Lately I've been involved in a heart postcard swap in one of my favorite yahoo groups. I've already posted two that I've made, and will be posting a few more in the near future. Oh, it's so good to be making art again, after a dreaded art slump. Making art rocks!!! And Bonita has been very supportive and cooperative lately, which makes my heart sing.

Another heart fabric postcard

Well, I seem to be in the mode right now of making fabric heart postcards. And actually, being in the mode and mood of making art, any art, whatever it is, is a good thing in my book....since I'm just recovering from being in a dreaded art slump/funk. I love using hearts in my art, and also using fabric. I have a wonderful stash of accumulated fabrics, many of them remnants bought at thrift stores, some at yard sales. Sometimes I buy clothes at yard sales, which tend to be very very cheap, for the purpose of cutting them up to use in my art. It's rare indeed that I actually buy new fabric to use in my art, except for quilting fat quarters (always on sale) occasionally, because I love the colors and patterns.

When I make art postcards, they are always 4x6 inches, the standard size for a postcard. Or as near to that as I can get. And most times, when I work with fabric in my art, it's hard for me to resist fraying the edges, especially with postcards. I love the way frayed edges look, and also love using the threads from fraying, glued down for great texture. Which is what I did on this piece, and then rubbed the threads with lavender acrylic paint for contrast.

I used the same Mod Podge technic on this piece as on my last post, to add strength and flexibility to the fabric. It just works so well, it's almost amazing. MP is also relatively inexpensive (still, after all these years), and I always use a 40% or 50% off coupon when I buy it. The fabric I used for the two squares is the same fabric I used for the pc base. The middle piece is cut out of a window blind sample I got at Lowe's, the same as in my last posted piece. (Lowe's has a wealth of great things to use in art.) The hearts were punched out of a paint chip. Last but not least, I chose to glue down (using gel medium) two small skeleton leaves.

I do like the colors on this, and experimenting with color combinations. Although I don't think I do that often enough in my art. I don't really know much about color, so I mostly just go with what colors I think look good together.

I'm submitting this to Saturday Surprise (http://saturdaychallenge.blogspot.com/) for their challenge this week.  The theme is Sewing Basket -- using anything that can be used for sewing in our art. 

Heart postcard for a swap

I'm so HAPPY to be posting again with some more new art, after a too long dry art slump. I worked on this piece yesterday, and had fun making it. Well actually, I started on it two days ago, because it had to dry overnight. I love using hearts in my art, which I do fairly often, so signing up for this swap in one of my favorite yahoo groups was right up my alley, so to speak.

I remembered I had done a certain technic on a postcard swap a few years ago that worked out well, so I chose to revisit that technic for this postcard. I cut out a piece of muslin fabric and frayed the edges and saved the threads. Then I put it on top of a plastic bag, and painted it with lots of matte Mod Podge, basically saturated it. That's why it had to dry overnight. Then I peeled it off the plastic. This technic is quite simple, and gives the fabric some strength and stiffness, and yet is totally flexible. It almost ends up feeling like a thick piece of plastic. It totally changes the feel of the fabric, but doesn't affect the look of it.

Then I painted it with Sweetheart Blush acrylic paint, and then glued down the thread I'd saved from the fraying. I love using threads for texture, especially on fabric art. Once dry, I rubbed orange paint over them with my finger, to bring out the texture and the contrast. I used the same orange paint on the frayed edges, to frame the whole piece. The three strips on the right were cut from a window blind sample I got at Lowe's. I painted them with yellow paint first, then rubbed orange paint over them to bring out the great texture. Then used a paper punch to punch the three hearts out of a yellow paint chip. After I glued the hearts on, I used a triple tip brush to paint on the parallel lines. I love that brush, and bought it at Joann's a while back, but they no longer carry it at the Joann's I shop at. What a shame, it's a great way to paint on parallel lines. I take really good care of that brush!

The large heart was cut out of paint chip, and then I glued down printed fabric over it. The details of the pattern on the fabric don't show up very well on this scan, but it has a cool linear pattern, with just the right colors for this piece. After I glued that down, I pulled out some squash seeds I'd washed and saved, and glued those down around the heart. Then I painted them, and used the triple tip brush again to paint the lines on. I'm amazed at how those lines changed the whole look of the painted seeds. I sealed the whole piece with Future Floor Finish (FFF), which gives a glossy finish.

Regarding the colors I used, I love this color combination, it's one of my favorites. I've used it a few times in my art, but actually not that often. I was using brown so much in my art for so long, and I love it for sure, but felt I needed to get back to using more color in some of my art. Because I also love using bold color. I don't know, maybe I just go through certain phases at certain times, which never seem to be predictable.

I think it's fun to revisit certain technics that I forgot about. This is a great and simple technic, and I'm glad it came to my mind for this piece. I love the way it gives strength to lightweight fabric, and feels so different than gluing fabric to cardboard. I didn't "invent" this technic, I learned about it online, but forget the source. If I could remember, I'd include the link, but I simply don't remember.  I'd also like to say that although the Mod Podge easily penetrated to the back of this muslin piece, it doesn't penetrate the same way with all fabrics.  So if it doesn't penetrate through to the back of the piece, you may have to turn it over when it's dry and Mod Podge the backside, or Mod Podge both sides more than once, to get the strength and stiffness you want.  Basically you can play with this technic to get your own desired results.  

So that's how this piece was made, with no pain or angst or problems. Woohoo for that. Any questions??? Or suggestions??? It was so great to have fun making this piece, and I'm excited it's for a swap. I just hope the person I send it to likes it. That's always a consideration in a swap, isn't it?

Three Hearts

This is a 5x5 piece I created yesterday. I haven't been doing much art in the past month, so I was happy to get this done. The background is a dyed paper towel, glued onto frozen pizza cardboard (FPC). Then I painted random lines onto that in lavender, and glued down a frayed piece of muslin fabric. I took the frayed threads and glued those down also. When dry, I rubbed green paint over them. I used an embossing tool to make the dots with turquoise paint. An embossing tool always makes perfect dots, although I didn't get them on there very straight. I cut the hearts out of corrugated paper, rubbed them with different color paints and glued those down, and sprinkled very fine glitter on them. Easy peasy, and now I can finally say I got some new art done. Ahhh, now I feel so much better! It bothers me when I go this long not posting on my blog. Then again, sometimes life intervenes.

Blog Award

A while back I was honored with a blog award by Marianne Konvalinka, http://mkonvalinka.blogspot.com/ . I wasn't able to post it until now. Thank you so very much Marianne. I so appreciate you thinking of me, and I am honored to accept this award. Marianne has a wonderful, artistic, and interesting blog, so please click on the link and take a look.

Honorees please follow these instructions and share the LUV!
1. Put the logo on your blog or post. (You can highlight the photo and text of this post and copy/paste wherever you need to...start your highlight from the bottom up to get the photo).
2. Nominate at least 10 blogs which show GREAT ATTITUDE and/or GRATITUDE
3. Be sure to link to your nominees within your post.
4. Let them know that they have received this award by commenting on their blog.
5. Share the love and link to this post and to the person from whom you received the award.

All awards have their rules, which may differ with each award. Up till now, I've always followed the rules for each award and never changed them. However, this time I'm going to change the rules, in the interest of time, because it would take a lot of time to go through the steps of passing this award on to ten other people, time I don't have today. I hope that doesn't offend anyone. Different bloggers have different opinions of rules for awards and also for tagging. And sometimes I wonder, who makes up the rules? Does anyone know?

Well, anyway, I've decided to pare it down and pass this blog award on to two other people. And these are the people I have chosen to honor with this award.

Linda Themer at the Textured Turtle http://texturedturtle.blogspot.com/

Kim at Ruined Art http://ruinedart.blogspot.com/

Please take at look at their artistic and interesting blogs.

Washboard Effect

This is a 5x5 art squared piece I made a few weeks ago. After I made my "Starkness of Winter" piece with the weathered by nature corrugated cardboard, I still had some left over, fortunately. So I decided to use some on this piece, and just play around. I've been "into" the harlequin pattern lately, and finally bought a harlequin rubber stamp, my first one, and wanted to play with that too. And then I noticed that the bottom of a styrofoam meat tray I had washed and kept also had a harlequin pattern, which excited me, so I cut a rectangular piece out and used that for a stamp also, in the lower left corner.

So this piece is about weathered corrugated cardboard and the harlequin pattern, and as always, texture. I started with frozen pizza cardboard (FPC) as my base. I used the brown side, and etched random lines in it with a sharp awl for texture, then rubbed the piece with paste brown shoe polish. Then I glued down corrugated cardboard, and then some tea dyed cheese cloth on top of that. I also glued down a piece of rusted dryer sheet in the lower left corner. Then I used lavender and green acrylic paint and stamped with my harlequin stamps, and also painted over the corrugated cardboard. Then I rubbed brown shoe polish over the cheese cloth and dryer sheet and corrugated cardboard.

Then I distressed lavender and green paint chips by sanding them, and etching diagonal lines to get a harlequin pattern, then rubbing with the brown shoe polish. Then I used paper punches to punch out the shapes and glued them down. I don't often use beads in my work, although I have lots of cool beads, so on this piece I decided to use them. Just one more art supply I have that I should use more often. So I glued various beads down, and then sealed the whole piece with Future Floor Finish (FFF), which gives a glossy finish. The last touch was the cool rusted old key, from my stash off ebay.

I had to take a digital picture of this, rather than scanning it, due to the dimension on the piece.
I prefer to scan, because it's so much easier, although the colors don't always come out true. That's the downside of scanning. And the down side of taking pics is that oftentimes, there is unwanted glare. I even took this picture outdoors, so my flash didn't go off, which was what I wanted. Even so, there's some minor glare over the cheese cloth, which ends up looking like glitter, but there's no glitter on this piece. I enjoyed using the weathered corrugated cardboard as an element on this piece, and think it gives a washboard effect, hence the title.

I still have a few small pieces left of the weathered corrugated cardboard that I'm sure I'll use in one way or another. I'm so glad I accidently discovered it behind my garage a while back, and don't know where it came from, perhaps the trash, but am grateful. What a cool gift it was! And just to make sure I don't run out, I put a large pizza box, (not the frozen kind but the kind delivered, the corrugated kind, and no it wasn't for me but for my housemate) out behind my garage, where it can be weathered by nature. I sprinkled twigs and dried leaves over it, just for good measure, and weighted it down with a brick, so it won't blow away. Since I live in Colorado (Denver metro), and it's only February, I'm sure we'll be getting more snow and winter weather. I don't know exactly how long it will take to adequately distress and weather the pizza box, but I figure that is up to Mother Nature. At some point it will end up looking very cool and I can use it in my art.

However, today, at 11:30 am, it's 59 degrees outside, with the sun shining and a beautiful blue sky. The high is supposed to reach 64. Yesterday it was even warmer, close to 70. I don't know why we've been blessed with such beautiful, spring like weather, but I'm certainly enjoying it while it lasts. Because I know it won't last, but it sure gives me a case of spring fever. Anyway, it'll be interesting to check on the pizza box from time to time, and see how it's coming along, see what Mother Nature is doing to it.

Update to last post

My good art buddy and collaborator, Mary Schweitzer, http://greenwomandesign.blogspot.com/
has posted a tutorial on her blog on how she made her fabulous tree. So please take a look.

Collaborative Project -- Fairy in a Tree

Wow! Isn't this a fabulous piece of art? And I'm the very lucky owner of it. Recently my good art buddy, Mary Schweitzer,http://greenwomandesign.blogspot.com/, and I agreed to do a personal swap. We wanted to do a collaborative project. And so we did, and this is my piece that I get to keep and admire and treasure. We each worked on our own 8x10 pieces, then sent them to each other to be worked on, and then sent them back.This was a first, and totally new to us, to do this kind of collaboration. I think we were both nervous about working on each other's art, but that was the whole point, so we jumped in and did it. For results we couldn't have gotten on our own, as this beautiful piece shows. And I'd like to encourage those of you who do personal swaps to consider doing a collab effort like this, because you don't know what to expect. And what you get back can be so much better than what you sent, as this piece proves.

I made the collage background, and Mary made the oh so realistic tree, with a fairy perched in it. I mean truly, doesn't this tree look totally real??? When it came in the mail and I opened it, I was bowled over and blown away with what she did on this. And immediately emailed her to ask HOW she made the tree. She made the tree with brown tissue paper and gel medium, and lots of scrunching and shaping. I think she should do a tutorial on this on her blog. Because I've never seen tissue paper used this way before, nor seen such a realistic, dimensional tree on art before. I'm just so lucky it's on my art, and that I'm the lucky owner of this fabulous piece.

I've admired Mary's art for a long time now, even to the point of (shame on me) envy. I consider her a very innovative and avant garde artist, who tends to think outside the box and push the envelope when it comes to her beautiful art. I was thrilled when she agreed to do his collab swap with me. And I'm more than thrilled with this art work, and that we followed through on our idea to do a collab project.

So thank you so much Mary, I couldn't be more pleased with how this worked out. I'm so lucky and proud to own some of your avant garde art. Please visit Mary's blog, and enjoy her beautiful art. And if you even feel a bit envious, I can relate to that. And if you want to see Mary's piece, and what I did on it, she has it posted on her blog. What is so interesting to me is how very different our pieces are, and what we both did on the other's pieces. That's what's so cool about doing a collab effort -- you just don't know how it will turn out until you get it back.

So right now, I'm thinking COLLABORATION RULES!!! Can you blame me?

A Beautiful Blog Award from Faye

Oh my goodness, I was just given another blog award. And once again, I am thrilled and honored. Thank you so much Faye, for thinking of me and honoring me with an award. It's a wonderful and heart warming experience to receive recognition for my art and my blog. And congratulations to you Faye for receiving your awards. In fact Faye just received several blog awards, which I think are richly deserved. Here is a link to her wonderful blog, so just click on it and see for yourself -- http://hastingshall2.blogspot.com/

Now I am to choose five other artist/bloggers to receive this same award. And these are the ones I choose, who I think deserve this award. Please click on their names to view their beautiful art and deserving blogs.

Mary Schweitzer - Green Woman Creating

Sharon K. Shubert Art Designs Blog

Viola - Mixed Media Art

Gail Pierce - Expression Studio

Darlene Wilkinson - Artticulation

Understand with Your Heart

This is something I made yesterday. I don't often use text in my art, but I think maybe I should more often. Other than the text, I didn't really plan this out, which is mostly normal for me. Once again, I used frozen pizza cardboard (FPC) for the base, which is 5x7 inches. I cut up a lace blouse for the background, which I bought at a yard sale a while back and forgot I had. It was a cute blouse, but much too small for me. But I definitely liked the texture of the lace and knew I'd use it in my art.

After I glued it down, I painted it with Sweetheart Blush acrylic paint, then rubbed paste brown shoe polish over it. Then I used a bold yellow paint, and rubbed it over some the lace with my finger. Then I sealed it with Acrylic Floor Finish (AFF) from the Family Dollar store. The rectangular piece at the top is a distressed paint chip, sanded and etched with an awl, and then rubbed with brown shoe polish. I used a corner rounder punch for the corners. This was the kind of paint chip that already had the "windows" cut out of it, so I glued a fiber ribbon piece across those on the back of the paint chip, then glued it to the background. I punched the hearts out of another paint chip and glued those down.

The text piece came from an Inspirations daily calendar. I tore around the text and the image (a parrot), then crumpled it up, then rubbed over it with brown shoe polish, and glued it down. I also used a green skeleton leaf to repeat the green of the text piece.

I thought it was done at that point, but then the idea to make a cross came to me. But I didn't know what to use for that. So I looked around my studio and spotted some screening that I thought would work, and cut it out of that. Lastly, I glued on the rusted bottle cap. Just because I love using rusted found objects (RFOs) in my art, and I have quite a stash of them by now. I chose an assymetrical, imperfect one, because hey, none of us are perfect, right? At least that's what it meant to me, and why I used that one.

Once again, I used some of my favorite things on this piece. Such as lace for texture, distressed paint chip, hearts, a skeleton leaf, and an RFO. I keep coming back to using some of my favorite things. I see that as a good thing. Also, I'm glad I chose to use text to convey a wise message, mostly for myself. If it reaches anyone else and touches them too, that's all the better.