The Cardinal

Oh my goodness, I finally got some new art posted on my blog.  I can't tell you how pleased I am about that.  This piece was started last November and finished in December.  I posted the background only on my blog on November 28 (you can scroll down to see that).  This was made as a gift for my older brother who lives in Michigan, in a beautiful log cabin home.  I thought this was rustic enough to look great hung in his home.  He really liked it and hung it up right away.  In fact, he took this picture for me to post.

In a way, this is a collaborative piece of art, because I used a picture he took of the bird.  His property is 40 acres, and lots of birds make use of it.  He's a great photographer, so he has a lot of beautiful bird pictures.  He has them posted on an online Picasa photo album, which I have a link to on the right side of my blog, in case you'd like to view them.  They really are great pictures of beautiful birds.  

So anyway, I picked out this cardinal to feature in my art piece.  I thought it would be cool to feature his photography in this piece.  Thankfully he appreciated that idea.  I printed the bird onto a transparency sheet, then adhered it to a green paint chip, then rounded the corners. I outlined it with black permanent marker.  The long rusted piece was found in Kuwait by a friend of mine in the Navy Reserves when she was on active duty there.  The rusted piece had some holes punched into it (I don't know what it was originally), so I decided to weave some yarn through them, the same color as the cardinal.  Then I pulled some bark off a log, and glued a rusted skeleton key onto that.  I kept it very simple except for the background.  I explained how I did that in my post.  This is framed with a neat wooden frame I got at the thrift store, for half price no less.

I definitely wanted to post the finished art piece on my blog.  But I never got a picture taken.  Then it occurred to me that my brother could do that part better than I could.  Soooo, here it is, all finished and hanging on his wall.  And the first time I've posted art since January 1st.  It's about high time.  I'm very pleased with this piece, and thrilled that my brother likes it and that it's hanging in his home!!!

Addendum:  Update on my health situation.  I was supposed to hear on March 16 about the Medicaid, but unfortunately, no word came.  I can't tell you how sad, afraid, and angry I am over that.  It totally sucks!  I can't have treatment until I'm accepted for Medicaid, so unfortunately I'm still hanging in limbo, and trying hard to stay positive.  Not easy at all, at this point.  Thanks again for all the love and support, the cards and emails and gifts, and especially for the prayers.  Please keep praying.

Citra-Solv Transfer Technic

These are some pages I made at my local book arts group meeting last Saturday.  Pretty cool eh?  Well I at least I think so.  We played around with this technic, which is new to me.  One of our members had tried it, and we loved the results she got, so she offered to teach it to the rest of us.  Regarding the technic itself, I don't know who first developed it or I'd give them credit.  Nor do I know how long this technic has been out there on the net, or in art books.  And of course, I'm not the first person who has put it on their blog.  I googled this technic, and found some others bloggers who've posted about it.  And chances are, other people have modified this technic in various ways, which often happens since artists are innately very creative people.

That being said, I'm thrilled with the results I got.  Here is what we did at our meeting.  We used National Geographic magazines, published within the past 10 years.  Not sure why that matters, but apparently it does.  We used large sponge brushes to spread the Citra-Solve over various pages in our NG mags.  The best pages to use are those with color pictures, and you have to spread the CS over both sides of the page.  Then we let the saturated mags sit for approximately 30 minutes.  The CS needs time to work its magic, but if left too long, the pages stick together.  After 30 minutes, we disassembled the mags to let each page dry.  Some people had to use a craft knife to cut their pages out, but all my pages pulled out very easily.  I don't know why that worked for me, perhaps I used more CS on my pages and it dissolved the glue holding the pages together.  

At our meeting, we did this technic outdoor on a table, because the smell of the CS is quite strong.  It has a powerful orange smell.  I had to leave the meeting early, so I brought my mag home intact and disassembled it on my picnic table on the patio.  I'm also lucky enough to have a clothesline in my yard, so I hung the pages up to dry, which took around 10 minutes.  Also, there are a number of Citra-Solv products, which are natural cleaning agents.  For this technic, you need to use the concentrated CS, which can be bought at natural food markets.  Apparently it's not available at regular grocery stores.  I'm not sure how much it costs, they have different size bottles.  I did go to the company website, and if you register, you can print a coupon for $1.00 off the product.

I don't know much about this technic, except for what we did at our meeting.  I think googling this might give you more information from different blogs.  Who knows, there might even be some youtube videos about it.  As for me, all I did was spread the CS on the color pages of my NG mag, wait a while, and then disassemble the mag, then hang the pages up to dry.  Obviously not a complicated technic, although rather messy with the disassembling part.

My take on this technic is that it's totally unpredictable and rather hit or miss, regarding how your pages will come out.  Some came out great, others were not great at all.  But hey, it's kind of cool regarding the serendipity of this technic.  Beyond that, it's not difficult or too time intensive or too expensive.  A bottle of CS should go a long way.

I'm wondering if any other product would work, or work in a different way???  Such as WD-40 perhaps, which I recently learned is non-toxic and made from -- get this -- fish oil!  As in, who knew?  Or perhaps Amor-All protectant?  I'm always game to try industrial products in my art, products purposed for a totally different purpose.  Hopefully when I have time, I can experiment with these other products.

So anyway, is anyone game in trying this technic?  Or modifying it or "altering" it, or whatever?