Caulk in Art Revisited - Yummy Texture and Dimension

Oh my goodness, where does the time go?  I'm really trying to post more consistently so my blog doesn't grow old and become stale.  I'm so honored to have so many followers and people who visit my blog, and I feel like I'm dropping the ball this year because my posting has been so intermittent.  On the other hand, when one is fighting the cancer battle, art becomes secondary or even further down on the priority list.

These pictures are not of new, recent art, and yes, they've all been posted on my blog before.  But they are three of my favorite works using caulk....which is a product I love to use, write about, and show and tell how it can be used.  I guess I just love promoting the use of caulk for great texture and dimension.  Some artists out there already know about it and have used it in their art, but there are also many artists who don't know about it and haven't used it.  Those are the ones I'm trying to reach and inspire to at least try using caulk.

I love the fact that it's so inexpensive (meaning cheap), so easily accessible, so easy to work with, and gives such great results.  What could be better than that?  It can be found at Family Dollar stores for a mere buckaroo ($1.00).  It's a little more expensive at the home improvement stores, ranging in price.  I buy the 5 ounce hard cylinders that need a caulk gun to extrude, but even caulk guns are cheap.  Or, you can buy it in the tubes that don't need a caulk gun.  I extrude it into a glass jar (the more shallow jars salsa comes in work great), and then put two layers of plastic wrap over the top, and then screw the lid on.  That helps keep the moisture in.  I've never had any caulk dry out on me, it can stay moist and usable for at least year, or even longer.

It can be colored with acrylic paint and liquid inks, and possibly even food coloring.  Or painted any color after it dries.  It can also be sanded after it dries.  It can be stamped or impressed into when it's wet, or frosted over stencils for a great but subtle dimensional effect.  It's a great adhesive and things can be embedded into it, or it can be used like glue to attach and adhere heavier items to a base or assemblage.  It can be applied to rubber stamps or any item with a make-up sponge, to get some dimension.  It can be diluted with water, or I suppose with any acrylic medium, to any consistency you desire.  You can put it in a plastic squeeze bottle to get the effect of dimension, or dilute it even thinner and use it more like gesso.  You can mix things with it when it's wet to get different textures, such as sand, cornmeal, tea grounds from used teabags, used coffee grounds, saw dust, small beads, torn paper, etc.  The sky is the limit as to what can be mixed in with it.  Oh yeah, and caulk can also be used on fabric and almost any surface.  If any of you have any more suggestions on how to use it, please share that information in a comment so all of us can learn about it.

What I've shared here so far are general tips on all the different ways to use caulk.  For more specific information on how I made certain art pieces using caulk, here is the link to all my caulk pieces.  So just scroll down that page.  And here's the link to my very first post on caulk, posted soon after I started my blog in February of 2008.

Regarding making some new art, I am actually working on an 11 X 14 canvas panel, a gift for my dear younger sister (and only sister) Jan, who requested an art work from me.  She has helped me so much and been so supportive during my battle with cancer.  And I love her and appreciate her so much.  I've managed to get the canvas panel painted in different shades of blue, green, and purple, and duh....I'm not liking it much at all.  Which is disconcerting to me.  No, more than that, it's bugging the heck out of me.  It doesn't happen very often that I dislike my art while in the process of creating it.  Occasionally, yes, but not that often.  Usually the more I do on a piece, the more I like it as it progresses.  And I consider this to be a very special and important piece, as a token of my love and appreciation for my sister.  

 The problem is, I'm really in a quandary as to where to go from here.  I suppose I could just gesso over it and start over again, even though I have many layers of paint on it, first with the credit card technic, then the sponge technic.  It has lots of paint on it, but I don't like the way it looks.  Even though it may sound crazy, I've never started over on a piece of art.  It shouldn't be a big deal, but it feels like a big deal.  I have so many ideas bouncing around in my head regarding what I want to do, I can't pick a direction to go in or focus on what to do next.  The ideas are: 

1.  to use caulk and/or wallboard joint compound for a very textural abstract piece.

2.  to do a layered collage, which I haven't done in a long time

3.  to use fabric and lace on it, and maybe even some kind of transfer

4.  to do a nature piece

All of these ideas are competing in my head, and I'm even trying to figure out how I can do all of them in one piece.  That would be great if I could manage to do it.  Or would it be?  Maybe not.  I just don't know.  So right now I'm very stuck.  I wonder if I should start over on it or just set it aside for a while, until I can focus on where I want to go with it.  There's no time deadline or urgency to get it done, and yet I'm very impatient to get it done.  Not only for her sake, so she can hang it in her home, but for my sake, to prove to myself that yes, I can still make art that I like or love.  Because I am concerned about that since I've made only one piece of new art since January, when I found out about the cancer.  At this point, I'm afraid I've lost a lot of the confidence I used to have, regarding making art.  And that is not a fun place to be in.  Oh well, this isn't earth shattering, I'm sure I'll work through it.  But I'd like to be there already!!!  I really need to gain my confidence back.

Oh, one more tip.  When I go to thrift stores or yard sales, I always look for frames. Sometimes I find canvas panels of different sizes, either clean and unused, or already painted on.  This panel I'm working on was already painted on, it was a painting of flowers.  It was not a very good painting.  So I just gessoed over it, and voila it was like a new large canvas panel that I paid a buck for.  I've been able to accumulate six canvas panels so far. Sometimes I find wooden plaques that would make good, sturdy bases for a piece of art.  So keep your eyes open for any kind of base that would work for an art piece.

And if any of you have any great tips for anything regarding making art, please leave that info in a comment.  I think tips are always fun and interesting to read, and it's great when I haven't heard them before.   Tips can really inspire me, and I could use some inspiration right now.  So how about sharing your own tips?  Please do!!!  You'd be doing me a favor.  I have the rest of the day to work on art.  Here's to hoping I find my way out of this quandary today.

One more tip.  If you like using lace in your art, look for lace tablecloths at thrift stores and yard sales.  I bagged a large, mint condition white tablecloth at a thrift store on sale for $2.00 a few weeks ago.  It's the thicker cotton lace, which I prefer.  And cotton lace can be dyed.  All lace can be painted.  The easiest and fastest way to paint it is to use spray paint.  Painting it with a brush can be slow and tedious.  I figure this large tablecloth will last me a good, long time.  I won't be running out of lace anytime soon, that's for sure.                                                                                                                         

Some more new art...and a bit further out of the abyss

My oh my, another new art piece.  And I'm very pleased I got this done today in a few hours.  And that it was easy and spontaneous, and mostly playing around.  And I didn't even "plan" to make art today, I just decided I wanted to, on a whim (and a prayer).  This is another background piece, but could stand on it's own I think.  Lots of yummy layers, but I wasn't thinking layers or focusing on that when I made it.  Why?  Well because when I focus on "layers", and think about it, it kinda freaks me out and ruins the spontaneity.  I'm also very pleased that I did some stamping on this, which I don't do often enough.  And also used a stencil, with some new semi-transparent paint.

The base is an 8x10 inch piece of thick chip board.  (Well, I have lots of that since I bought 75 pieces off ebay a while back, so I might as well use it.)  And I glued down torn pieces of National Geographic pages, then sanded them, then used an awl to etch over them in order to distress the piece.  Then rubbed over it with brown paste shoe polish and Golden Quinacridone Nickel Azo Gold fluid acrylic.  A new product for me, and one I'm very much in love with.  Then I glued down some strips of netted fabric, and used a triple tip paintbrush to paint the black lines.  I also used a toilet paper cardboard core to stamp the large circles.  And then a foam stamp for the numbers, and a stencil for the hearts.

Gee, layering isn't so hard or intimidating.... as long as I don't think about it or focus on it.  I seem to be into torn NG pages at the moment, but hey, if it works, why not?  I have lots of NG mags, so I might as well use them.  But I'm thinking torn pages from other mags could work too.

Am I out of the abyss yet?  Well, probably not, but at least I'm headed in the right direction.  At any rate, I'm pleased with this piece and thrilled I have some new art to post.  And truthfully, after the week I've had, that's good enough for me.

Over and out for now.  Onward and upward.

 

Spread in my Melange Book

This is a spread I did in my Melange Book, probably my most favorite handmade book of mine.  It was a project done in my local book arts group a while back.  Well, more than a while.  It was a very challenging project....but also loads of fun.  I never would've created this book if it hadn't been a group project, and I'm so grateful it was, because it totally motivated me to do this and get it finished.  It was a group project, but we each created our own books.  Oftentimes, I need that kind of motivation.  And also the help and support that was so generously provided by other members of our super-great local group!!!  I'm oh so fortunate and grateful that we have such a fantastic book arts/altered art group in my area, the Denver metro area, and that I've been a member for over five years.  Our group is still going strong, and I hope it always will.  And I only wish that all of you artists out there could have a group like this in your area.

The left page is a fabric page of painted muslin, with lace, ribbon, rick-rack, and buttons glued down, and frayed along the edges.  The right page has cool scrapbook paper as the background.  The lower part is a pocket of fine copper mesh, with an altered CD inserted.  I glued down four rusted bottle caps....I always love rusted found objects, that's for sure.  The fiber is eyelash yarn (at least I think that's what it's called).  

To be honest, I'm going through a difficult time in my life right now, and so making art has kind of been relegated to the back burner.  I've been in an extended art slump, which has been quite frustrating and bewildering.  But beyond that, I'm dealing with some painful family issues/realities, that have really knocked the air out of me.  Sometimes, reality really BITES as I'm sure all of you can relate to and understand.  However, I want to keep my blog current, because it's important to me to do so.  There are a lot of things in life I don't have control over, but I do have control over my blog.  And it helps me to keep it going and current, or as much as I'm able to.  I know this too, shall pass, and better days are up ahead, but for now, I'm rather down under.  So please bear with me on this.  Thank you. 

My Muse Bonita

Hmmm, this looks rather different for my type of art.  And yet, yes indeed, this is my art.  That's a bit surprising, even to me.  Because this was made five years ago, and just months after my jump into altering books.  I think that part amazes me the most, that I created this just months into knowing anything about altered art and altered books.  I've never posted this on my blog, so I thought now would be a good time to do so.  Because this is one of my favorite AB spreads that I had mostly forgotten about.  And to be honest, also because I have no new art to post, and yet I want to make a post on my blog today.  

Long story short, I've been in an extended "dry period",  "art slump",  or whatever one calls it.  Which I'm not pleased about, but it is what it is and I'm trying to work through it.  However, there is still the issue of my blog, which is very important to me.  And it's been too long since I posted some art.  I'd much prefer to post some new, recent art, but that ain't happening right now, so I think posting some art, even though it's not new, is better than not posting at all.  Regarding how "old" art might be received, I have no idea.

When I first got into altered art, back in the spring of 2004, I was very into altered books.  So this is a spread in an AB, a still unfinished AB, a work in progress.  At least that's what I keep telling myself, but it hasn't progressed much in several years.  And I'm not even sure I'll ever finish it, but I figure hey, at least I got a great start on it.

Regarding this spread, I love the color purple, and wanted to express how I pictured my muse, so I think I went no holds barred.  I like that about this spread....and gee, just wish I could approach my art that same way all the time.  I won't go into detail about how I made this, except to hit on a few things.  The image of Bonita was from a rubbing plate.  The background under the image is sequined fabric.  The headdress and earrings are real, costume jewelry glued down.  I also used game pieces and some of the stamps were hand made with a wood burning tool on erasers.  I used an embroidery chain stitch around the edge of the right page.  I used a lot of technics and embellishments on this spread.  I hope you like it. 

Linearity -- Caulk Squares and Rectangles

This is a new work, and a bit different for me, at least in some ways.  This piece is 4 x 9 inches, a size I've never worked on before.  The base is frozen pizza cardboard (FPC), nothing new there.   I've been using circles in my art for some time now, because I really love them.  But recently I've been inspired to play around with using squares and rectangles, with caulk applied with a small palette knife.  It was harder to make them that way than I expected, because it was the first time I tried it.  Hopefully, if I try it again I'll get better with some practice.

On this piece, I sanded the image side of the FPC and then covered it with white gesso.  Then glued down the netted fabric, then painted over it with Liquitex Majenta acrylic paint.  After that dried, I rubbed Liquitex Cadmium Yellow over it with my finger.  This is a color combination I love and have used at times.  Although the magenta looks more like a burgundy to me, and not true magenta at all.  I love burgundy and yellow used together.  

After that, I applied white acrylic caulk with a small palette knife.  I thought that part would be easy, but I was wrong.  It was rather difficult and required a lot of patience.  Once the caulk dried, I painted it with different shades of orange, then rubbed contrasting colors over the squares and rectangles with my finger to highlight the texture.

I liked it at that point, but felt it needed more and wasn't finished.  So I picked up the stems off my driveway and glued those down, then rubbed brown shoe polish over them.  And then pulled out my stash of skeleton leaves and found just the right size for this piece.  I didn't initially intend for this to end up being a nature piece, and yet it sort of is -- at least partially.  My squares and rectangles are far from perfect....but that's okay.  I kind of like them that way.  

If I do this again, I think I might try adding the paint directly into the caulk and mixing it in before applying it to the piece.  Just a thought anyway.  Or perhaps diluting the caulk a bit and see what happens with that.  Or maybe applying the caulk with a paintbrush instead of a palette knife.

So anyway, that's what I did on this piece.  I kind of like this size and format, at least for the linear effect.  It's nice to play around with new ideas.  Where they might lead....I have no idea!!!

Seed Flower -- Layered Nature Piece

I'm so glad I have some new art to post.  I mean very, very glad, since I haven't been making much new art in a while.  This is a small piece, a 5x5 inch art squared piece.  For a long time, that was the main format size I worked on and I was very comfortable with that.  Then I chose to start working on larger formats, which I enjoyed also.  And I must admit, it's a bit hard to come back to this smaller size, but it's a good thing, IMO, not to get too attached to any one size or format.  You know -- keep your options open, right?

The base on this is frozen pizza cardboard (FPC), which I used so often in the past, but then lately worked more on chip board.  Well, I still have a great stash of FPC, and I'm glad I do.  It works quite well for smaller pieces.  I glued down some patterned sepia wallpaper from a sample book, and then etched random lines over it with a sharp awl, then rubbed over it with paste brown shoe polish.  Then I glued down some fine lace fabric over that, and rubbed it with the shoe polish.  Then I pulled a small textured fabric piece, from another sample book, and started fraying it to produce some nice fringe.  The threads were thick and great for some more texture, so I glued some down, then glued the fringe down.

On top of that I glued down the seed fronds from my yard.  For living in metro Denver, I'm happy to find great nature items in my yard.  One wouldn't necessarily expect that, living in a big city, but I do often find great items for art just in my own yard if I take the time to go looking for them.  I encourage you out there to try that too, and see what great finds are in your yards.   Then I sealed this with Acrylic Floor Finish (AFF) from the Family Dollar store, which gives a matte/satin finish, and flicked on Aztec Gold Pearl Ex while it was still wet. 

Then I raided my rusted found object stash for the rusted washer.  Oh my, I love my RFO stash for sure.  And also my stash of old vintage keys.  I think this rusted key is very cool.  I have no idea what kind of key it is or what it might open, but the small size was just right for this piece.  The seeds for the flower are squash seeds, which I always wash and save for my art.  The other seeds are smaller seeds from cantaloupe I think.  I pretty much save all seed for my art, never knowing when I'll want to use them.

I thought this piece was done at this point, but then I spotted a piece of netted fabric on my work table, and chose to add that at the very end.  I'm not sure if it helps or hinders the piece, because sometimes I don't know when to stop.  Then again, it adds more texture, a different kind of texture, so I think I'm glad I added that piece.  At any rate, I did, so it is what it is.

As with a lot of my art, I didn't plan this out at all.  The interesting thing to me is that this piece ended up being so layered, and yet I wasn't all that aware of layering while I was making it.  I was just playing around, adding this, adding that.  When I actually THINK about layering in my art, or plan it, then I get very nervous and choke up about it.  As in fearing how much to layer, and covering things up.  Whereas if it just happens innately, and comes natural as it did in this piece, without me thinking about it....I'm so much more okay with that.  It's like I don't realize how much layering I've done until the piece is finished, and then I stand back and think wow, did I do all that layering?  Ahhh, if making art could always be innate and natural,  just playing around and having fun and not THINKING about it.  Those times are when I enjoy making art the most!!!  Do you agree with your own art?

Another piece of Nature Art

;Ahhh yes, another piece of nature art.  I love making nature art, and keep coming back to it often.  Why, I'm not totally sure....except that it's so, well, natural.  I think when I do nature art, I go into a different art zone, a free and easy art zone, with no pain or angst or planning.  It just kind of happens easily and spontaneously.  Beyond that, which is totally great, I can pick up nature items from my yard and use them in my art.  As in, gee, I don't have to make a run to Hobby Lobby or Joann's and buy something to use in my art.  Now, don't get me wrong -- I love buying art tools and supplies, when I'm in the mood to do so.  But I think I love even more using nature items, or natural items found outdoors, to use in my art.

I made this piece a few weeks ago.  I was in the mood to make art, but had no clue what I wanted to make.  So I took a stroll through my yard, and picked up the leaf and the seed items.  I don't know what to call them, but found them in my yard.  And thought great, I like these, I'm going to use them in my art.  Then I pulled out a piece of chip board, and got busy on this piece.

I also used fabric and threads that were on my work table, just because they were there.    I guess I made this piece because I wanted to make some art, felt the need to make some art, and for no other reason.  I had no plan, and wanted to keep it simple and easy.  I also chose to use a cool stencil I bought online, of various sized circles.  I just love that stencil, and I love using circles in my art.  I frosted over it with caulk, which I also love to use in my art.  It's so simple and easy to do that, and yet it creates great texture.  And I'm always about texture in my art.  Sometimes I think that's my main focus, above and beyond anything else.  I hope I don't overdo it, but I can't seem to help myself, when it comes to texture.

I mostly just glued various things down on this piece.  And the key  -- I love the key -- was a last minute thing -- I added it last.  I was on a vintage key quest for several months, wanting the old regular keys, the old unique flat keys, the old skeleton keys, and if they were rusted, the better.  So I bid on a number of ebay key lot auctions.  I learned that buying old key lots on ebay isn't cheap, and isn't easy to win.  I lost a lot of them, but also won a few of them.  And now, I have a fantastic stash of old vintage keys.  I mean now, I have over 100 of them, maybe over 200 of them, I lost count.  I've used them in my art before, on a number of pieces.  And then kind of forgot I had them, like duh!  So I remembered them when I made this piece, and chose to add one.

So anyway, this is what I ended up with, and I'm happy with it.  And I'm wondering, regarding art, what do YOU love making the most???  Do you have a special theme, dear to your heart, that you love making?  A theme you may keep coming back to, time and time again?  Do you love it when you make art spontaneously, with no real plan, or do you prefer to plan your art and stick to the plan?  And what is easier and more comfortable for you -- spontaneous art or planned art?  What kind of art causes you fear, pain, or angst, and what comes so naturally?  For me spontaneous unplanned art seems to come the easiest, and allow me the most enjoyment.  So what say all you artists out there?  Please chime in.

My first "killed catalog"

Oh my, it seems like it's been too long since I posted new art. Or even made new art. Well, as I've said before, at times, life and reality intervene, and so art gets relegated to the back burner for a while. That has been the case for me lately.

However, I'm happy to post this new work, which I made a few weeks ago. I started reading Maggie Grey's blog about killed catalogs, and it seemed very intriguing to me. So I thought I'd give it a try with a catalog I got in the mail. I mean using anything free as a base for art always attracts me, which is one reason why I've used frozen pizza cardboard (FPC) for years as a base for most of my art. However, before I started reading Maggie's blog, I'd never heard of "killed catalogs", and the whole concept was totally new to me.

Maggie's concept was to bury a catalog outdoors and let it disintegrate for a period of time. As for me, I wanted more instant results, so I changed things up a bit and took my own approach. First I soaked the catalog overnight in water, then put it on my picnic table on the patio the next day to dry out. It did dry out to some extent, but then an art buddy, Linda East, suggested I finish the drying process in my clothes dryer. I thought - what a great idea - so I tried that. First I put it in a mesh dryer bag, but it escaped the bag, and got somewhat mangled in the dryer. Luckily, it didn't leave a big mess in the dryer.

Then Linda suggested painting it with flour paste, and baking it in the oven. That sounded good to me, since I wanted to adhere it all together, and coat it with something, and hey, flour paste is cheap, right? So that worked out well. Then I painted it with a coat of white gesso. Then misted it with Memories Mists Strawberry Daiquri, and Mod Podged down some netted fabric , and then some yellow lace on top of that.

Then I frosted some caulk over parts of it and texturized that and let it dry. Then I rubbed paint over the caulk with my finger using burgundy and orange, then misted Memories Mists Mango Lemonade (a cool yellow color) over that.
I glued down some threads, burgundy twine and leaves, and frayed fabric strips. And then the orange circles, punched out of paint chip, and the yellow square paper clips, and the yellow plastic "9" in the bottom left corner. The "9" is rather hard to see on the scan. I did a scan on this, and the art piece was bigger than my scan surface, so I didn't get it all on there. I had to sacrifice the far right side, where I had glued down three orange circles and two square paper clips. So one circle and the two paper clips don't show.

I'm happy with how this turned out, although it doesn't look much like a killed catalog, a la Maggie Grey. Meaning it doesn't have much dimension, and ended up rather flat. But hey, this was my first try at this, and I mostly improvised on the spot. And gee, isn't that what making art is all about anyway? We can all start out with a plan, and then kind of get sidetracked into a direction our muse takes us, and end up with something much different than what we planned. So I guess I have to say that's kind of what happened here, but even so, I really like the end result.

I'd like to thank Maggie Grey for coming up with the idea of killed catalogs and posting about it on her blog. And for opening the door to something new and different, a new idea, a new technic. And I'd also like to thank my art buddy, Linda East, who came up with some great suggestions. Take a look at what she's done with her killed catalogs on her blog. I think they are totally great!

In closing, I'm so pleased to post some new art. I have another art project I'm working on, which is my first fabric book ever. It's a project in my local art group, and one that has taken me far too long to make progress on. It has been very slow going, one small step at a time. I think partly because I've never done a fabric book before, so I feel more than a bit intimidated and lost. I don't know how long it will take me to finish, there is no specific deadline, but I am determined to finish it. All in due time, whatever that means.

The rest of my heart postcards

Ahh yes, these are my last seven out of ten postcards, if you include the post below. I wasn't able to upload all seven photos in one post, so this is a "split post", so to speak. I've had hearts on my mind and brain for well over a month now, while making all these postcards. It was a fun swap and I love the heart theme. However, at this point I'm glad all my postcards are made and in the mail.

I won't go into detail on how I made these, for fairly obvious reasons. Suffice it to say I used a fabric background on all of them, which was my goal. On some the fabric is glued to frozen pizza cardboard (FPC), on the others I used the Mod Podge technic (explained in a previous post). They are all different, which was my plan.

Soon I'll be starting another collaborative effort with another online artist. Something I look forward to. And also working on my own fabric book, the first time ever. That is if I can get over my fear and intimidation of my new electronic Brother sewing machine. I totally love it, but am not familiar or comfortable with it yet.

The rest of my heart postcards

Read above post about these postcards.

A dream come true....and my 100th blog post!

 

Yes indeed, this is my 100th blog post. When I started this blog on February 10th of 2008, I never envisioned making my 100th post. At that time, as a newbie blogger, I was concerned about making my first few posts, and doing it right. And here it is, 14 months later, and I'm up to posting for the 100th time. So for me, this is kind of a milestone of sorts, and one I'm happy to celebrate.

But even better yet, I have some very exciting news to post about on this special 100th post. I'm marveling at the "timing" of this, and thinking perhaps it was meant to be. My exciting news is that my art work has been published! Yes, a dream and goal of mine has come true. And I'm thrilled about it, even bouncing off the walls.  The new book in which my work is published is Collaborative Art Journals and Shared Visions in Mixed Media by L.K. Ludwig. It's supposed to be available in June, but can be pre-ordered on Amazon here: http://www.amazon.com/reader/1592535208?%5Fencoding=UTF8&ref%5F=sib%5Fdp%5Fpop%5Fidx&page=139#reader-link.

This is the first and only time I've submitted my art for publishing. It came about this way. Over a year ago, I joined a very cool yahoo art group, one of my favorites, http://groups.yahoo.com/group/ExpressionStudio/. I became acquainted with, and friends with, two wonderful artists in that group, Darlene Wilkinson and Gail Pierce. Darlene saw the call for art for this book, and invited Gail and myself to participate in a collaborative effort to make a book for submission. She chose the theme for the book as "Circles". Gail and I enthusiastically accepted her invitation, and got busy making eight pages each on manilla folders, and sent them to Darlene, who made her eight pages and then compiled our book and sent it in. We heard back that our book was being considered for being included in L.K. Ludwig's book, and of course we were thrilled. Then for the next year, we didn't hear another thing about it, or receive any communication. 

So we've been in the dark about this for over a year, and didn't know until a few days ago when her book was coming out or that our Circles book was included. But now we know, and we're all so excited about it. We are each supposed to receive a complimentary copy of the book, but we don't know when it will arrive. I'm chomping at the bit to get mine, because I don't know which pages of our book were published. And beyond that, I'd love to see and read her book.

So, that's the story on this "adventure", this dream come true for me. When we submitted this book, I was so, so hoping it would be accepted for publishing. And yet, I was wary of having too high expectations, and then possibly being disappointed. I tried not to put too much importance on this, or obsess about it. So yes, it was a dream and goal, but one I tried to keep in perspective. And it's so wonderful to end up achieving this goal, rather than end up disappointed. 

I want to give a lot of credit and thanks to my friend Darlene, who initiated this whole idea and our book. Because without her, and if she hadn't so kindly invited me to take part in this....well, this never would've happened for me. Thank you so much Darlene! This book was my first collaborative effort, and it encouraged me to persue other collab efforts with other artists, although those weren't for the purpose of submission for publishing. 

The five photos in my last post and the three in this post are of my eight pages in our collaborative Circle book. I've wanted to post these on my blog for over a year, but wasn't able to do that due to the rules of submitting for publication. Now, I can finally post these, which makes me happy. I'm a very happy lady today, for a number of reasons. Today is a good day for me.

My pages in a collaborative Circle book

Read the next post about this Circle Book.

Ahhh yes, another fabric heart postcard

Well, I'm involved in a heart postcard swap in a favorite yahoo group right now, and I have to make nine of them. So far I have five done, and four to go. Obviously I have hearts on the brain while I'm making these, and will be posting all or some of them on my blog. All the ones I've made so far are different, but I'm a bit worried about running out of original ideas for all nine of them. We'll see if my muse, Bonita, comes through for me, or if I end up duplicating some of them. The heart theme is right up my alley, because I love using hearts in my art, and have done it fairly often.

I used yellow fabric for the base of this piece, and frayed the edges. I often do that when I use fabric in my art. (I used the Mod Podge on plastic technic that I explained in my post of March 11th, so scroll down to read about that technic). Then I stamped with lavender and green acrylic paints, using my new harlequin stamp and a bottle lid for the green circles. Then I glued down the threads from fraying for great texture.

The cute bird is stamped onto a distressed paint chip (I've explained the distressed paint chip technic in a number of previous posts), and for the heart I glued lace fabric cut from a blouse onto paint chip, then painted it yellow, then rubbed over it with lavender paint. I also glued down a small skeleton leaf, and five seeds that I painted with my very cool three tip paint brush. I also used that brush on the edges for the lavender lines.

I'm proud of myself that I actually used some stamps on this piece. As I've said before, I have sooo many cool stamps and yet so seldom use them in my art. I'm not sure why that is, but it bothers me. Especially when I have so many great stamps, most of which I've never used even once. How sad/crazy is that??? And yet, I keep buying stamps, which makes it even crazier. In fact, I have to fess up that I bought some new stamp sets from Addicted to Rubber Stamps just a week ago, when they had their 31% off sale. They haven't arrived yet. I saved money on the sale, but the shipping cost was a big "ouch"! Due to the high shipping cost, a whopping $8.37, which totally made me wince, I only ended up saving a few dollars on the whole deal. I just can't believe the shipping was so high, when I know the unmounted stamps don't weigh that much.

I rarely buy things online for that very reason -- the outrageous shipping costs! But these are stamp sets I haven't seen at Hobby Lobby or Joann's, so I could only get them online. And now, I'm wondering (and fearing) how long it will take me to actually use them in my art. So anyway, I'm trying to make myself use my stamps more in my art. At least that's a goal of mine.

Heart postcard for a swap

I'm so HAPPY to be posting again with some more new art, after a too long dry art slump. I worked on this piece yesterday, and had fun making it. Well actually, I started on it two days ago, because it had to dry overnight. I love using hearts in my art, which I do fairly often, so signing up for this swap in one of my favorite yahoo groups was right up my alley, so to speak.

I remembered I had done a certain technic on a postcard swap a few years ago that worked out well, so I chose to revisit that technic for this postcard. I cut out a piece of muslin fabric and frayed the edges and saved the threads. Then I put it on top of a plastic bag, and painted it with lots of matte Mod Podge, basically saturated it. That's why it had to dry overnight. Then I peeled it off the plastic. This technic is quite simple, and gives the fabric some strength and stiffness, and yet is totally flexible. It almost ends up feeling like a thick piece of plastic. It totally changes the feel of the fabric, but doesn't affect the look of it.

Then I painted it with Sweetheart Blush acrylic paint, and then glued down the thread I'd saved from the fraying. I love using threads for texture, especially on fabric art. Once dry, I rubbed orange paint over them with my finger, to bring out the texture and the contrast. I used the same orange paint on the frayed edges, to frame the whole piece. The three strips on the right were cut from a window blind sample I got at Lowe's. I painted them with yellow paint first, then rubbed orange paint over them to bring out the great texture. Then used a paper punch to punch the three hearts out of a yellow paint chip. After I glued the hearts on, I used a triple tip brush to paint on the parallel lines. I love that brush, and bought it at Joann's a while back, but they no longer carry it at the Joann's I shop at. What a shame, it's a great way to paint on parallel lines. I take really good care of that brush!

The large heart was cut out of paint chip, and then I glued down printed fabric over it. The details of the pattern on the fabric don't show up very well on this scan, but it has a cool linear pattern, with just the right colors for this piece. After I glued that down, I pulled out some squash seeds I'd washed and saved, and glued those down around the heart. Then I painted them, and used the triple tip brush again to paint the lines on. I'm amazed at how those lines changed the whole look of the painted seeds. I sealed the whole piece with Future Floor Finish (FFF), which gives a glossy finish.

Regarding the colors I used, I love this color combination, it's one of my favorites. I've used it a few times in my art, but actually not that often. I was using brown so much in my art for so long, and I love it for sure, but felt I needed to get back to using more color in some of my art. Because I also love using bold color. I don't know, maybe I just go through certain phases at certain times, which never seem to be predictable.

I think it's fun to revisit certain technics that I forgot about. This is a great and simple technic, and I'm glad it came to my mind for this piece. I love the way it gives strength to lightweight fabric, and feels so different than gluing fabric to cardboard. I didn't "invent" this technic, I learned about it online, but forget the source. If I could remember, I'd include the link, but I simply don't remember.  I'd also like to say that although the Mod Podge easily penetrated to the back of this muslin piece, it doesn't penetrate the same way with all fabrics.  So if it doesn't penetrate through to the back of the piece, you may have to turn it over when it's dry and Mod Podge the backside, or Mod Podge both sides more than once, to get the strength and stiffness you want.  Basically you can play with this technic to get your own desired results.  

So that's how this piece was made, with no pain or angst or problems. Woohoo for that. Any questions??? Or suggestions??? It was so great to have fun making this piece, and I'm excited it's for a swap. I just hope the person I send it to likes it. That's always a consideration in a swap, isn't it?

Three Hearts

This is a 5x5 piece I created yesterday. I haven't been doing much art in the past month, so I was happy to get this done. The background is a dyed paper towel, glued onto frozen pizza cardboard (FPC). Then I painted random lines onto that in lavender, and glued down a frayed piece of muslin fabric. I took the frayed threads and glued those down also. When dry, I rubbed green paint over them. I used an embossing tool to make the dots with turquoise paint. An embossing tool always makes perfect dots, although I didn't get them on there very straight. I cut the hearts out of corrugated paper, rubbed them with different color paints and glued those down, and sprinkled very fine glitter on them. Easy peasy, and now I can finally say I got some new art done. Ahhh, now I feel so much better! It bothers me when I go this long not posting on my blog. Then again, sometimes life intervenes.

Understand with Your Heart

This is something I made yesterday. I don't often use text in my art, but I think maybe I should more often. Other than the text, I didn't really plan this out, which is mostly normal for me. Once again, I used frozen pizza cardboard (FPC) for the base, which is 5x7 inches. I cut up a lace blouse for the background, which I bought at a yard sale a while back and forgot I had. It was a cute blouse, but much too small for me. But I definitely liked the texture of the lace and knew I'd use it in my art.

After I glued it down, I painted it with Sweetheart Blush acrylic paint, then rubbed paste brown shoe polish over it. Then I used a bold yellow paint, and rubbed it over some the lace with my finger. Then I sealed it with Acrylic Floor Finish (AFF) from the Family Dollar store. The rectangular piece at the top is a distressed paint chip, sanded and etched with an awl, and then rubbed with brown shoe polish. I used a corner rounder punch for the corners. This was the kind of paint chip that already had the "windows" cut out of it, so I glued a fiber ribbon piece across those on the back of the paint chip, then glued it to the background. I punched the hearts out of another paint chip and glued those down.

The text piece came from an Inspirations daily calendar. I tore around the text and the image (a parrot), then crumpled it up, then rubbed over it with brown shoe polish, and glued it down. I also used a green skeleton leaf to repeat the green of the text piece.

I thought it was done at that point, but then the idea to make a cross came to me. But I didn't know what to use for that. So I looked around my studio and spotted some screening that I thought would work, and cut it out of that. Lastly, I glued on the rusted bottle cap. Just because I love using rusted found objects (RFOs) in my art, and I have quite a stash of them by now. I chose an assymetrical, imperfect one, because hey, none of us are perfect, right? At least that's what it meant to me, and why I used that one.

Once again, I used some of my favorite things on this piece. Such as lace for texture, distressed paint chip, hearts, a skeleton leaf, and an RFO. I keep coming back to using some of my favorite things. I see that as a good thing. Also, I'm glad I chose to use text to convey a wise message, mostly for myself. If it reaches anyone else and touches them too, that's all the better.

Bloom (where you are planted)

I've heard this saying before, and yes, it makes a lot of sense. However, it's easier said than done oftentimes. I realize it has to do with accepting one's circumstances, and making the best of them. But I must admit, at times, I've found that difficult to do. Have any of you found that too? Right now I'm going through a difficult and scary time, regarding my work situation, and I'm trying really hard to be calm about it and find the silver lining in what I'm going through. I won't go into any detail here, but suffice it to say that work-wise, things could be going a whole lot better.

So this is the new art I made in the past few days. I didn't plan it to turn out this way, but it did and for the most part, I'm happy with it. Perhaps my work situation is weighing more heavily on my mind and heart than I realized. This is a 5x7 inch piece on my old standby, frozen pizza cardboard (FPC). However, this is two pieces glued together. On the first piece, I ended up crumpling it up to get more texture, so it wasn't laying flat. Once I used gel medium to glue it to another piece of FPC, that solved the problem, as I knew it would.

I started out on the brown side, and used a sharp awl to score diagonal lines in it, to create a harlequin design. For some reason, I've been into harlequins lately. Once that was done, I sanded over it and then rubbed brown shoe polish over it. Then I used Sweetheart Blush acrylic paint over it, one of my favorite colors, especially when it's used with yellow. After that dried, I rubbed yellow paint over it in parts with my finger. Then I stamped the Sweetheart Blush on with a new harlequin stamp, and then did that also with the yellow paint. Then I sealed with Acrylic Floor Finish (AFF) from the Family Dollar Store, which makes the color pop. At that point, I really liked the texture I achieved.

Then I pulled out a rusted washer, (a beautifully rusted washer I might add) from my rusted found object stash, to use as the center of the flower. Then I glued down all the seeds I saved from my yard, that fall from one of our trees. I don't know what kind of tree it is, but I sure love using the seeds in my art. (I don't, however, love them when they fall all over my car!!!) Oh, I forgot to mention that I glued down the burgundy skeleton leaves before I worked on the flower.
Then I sealed again with AFF, and was surprised to find that the color from the leaves started to run. I didn't know that would happen, but I didn't mind so much, it was kind of a happy accident.

The word "Bloom" was etched with an awl on a distressed paint chip. Which was sanded first, then etched, then rubbed with brown paste shoe polish. The key is a wonderfully rusted key from one of my ebay lots, and I glued it down over a piece of yellow fabric. On the real piece, the fabric is yellow, and looks good on this piece. Unfortunately, on the scan, the fabric doesn't look yellow, it looks washed out and much lighter than it is. I sealed it once again with AFF, which accounts for the burgundy on the bloom piece and the fabric.

I used some of my favorite things on this piece. Such as: rusted found object, seeds, distressed paint chip, an old rusted key, fabric, and skeleton leaves. And I'm really liking the effect of the harlequin design on the background. So, all in all, I'm pleased with this piece.

Regarding "Bloom where I'm planted"....well, I'm still working on that.

Playing with my image editor

Well, this is kind of interesting. I used the fish eye lens special effect on my image editor to get the second image. I think it looks cool -- what do you think? I've never tried that before.

This is a 5x7 inch piece I made yesterday. The base is frozen pizza cardboard (FPC). I had some dyed paper towels, so I decided to use one on this. I wanted something colorful, and purple is one of my favorite colors. I also used a purple watercolor crayon, on the left side and bottom, from my Lyra Aquacolor set. I used water and a brush, and painted parallel lines, and they looked nice and even. But later I sealed the piece with Acrylic Floor Finish (AFF), not realizing that the watercolor crayon marks would run. Like duh....I should've known that, but I didn't think about it. So my nice, even lines all ran. Ahh, but not to worry, the way they ran looks fine to me.

The hearts were punched out of a distressed (sanded) paint chip. Usually I then rub it with brown shoe polish, but I didn't want brown on this piece, so I rubbed it with a violet glaze and then wiped it off. The pony is stamped onto the same distressed paint chip. That is a new stamp I just got off ebay. The company is 2nd Nature Arts, and I think it has some neat stamps. You might want to check them out. Here is a link to the ebay store http://tinyurl.com/7hwxzu  I ended up buying five. These are unmounted stamps. I shouldn't be buying new stamps, because I have so many I haven't used yet, but I thought some of these stamps were unlike any I'd seen, so I just had to have them. At least I'm proud of myself for using one on this piece.

I also used a harlequin stamp and stamped with yellow and then violet acrylic paint, but it barely shows up, due to how textural the paper towel is. That's dyed cheese cloth under the hearts, and the piece under the key is some yellow fabric rubbed with gold waxy stuff (kind of similar to Rub n Buff). I outlined the hearts and pony with purple glitter glue (GG), and the yellow fabric with gold glitter glue.  I really like outlining with GG, but I get very nervous when I do, afraid I'll screw up. Which isn't hard to do -the screwing up part - and I've screwed up with it before. But on this piece, all went well with the GG. The key is from a lot of old keys off ebay.

Cyber Fyber Gallery Exhibition

The Cyber Fyber Gallery Exhibition is set to open in Columbia, South Carolina on January 8th, in just three days. Susan Lenz, a very generous and talented fiber artist, put this massive project together, and has been working on it for over a year. Thank you so much Susan, your hard work is appreciated. Here's a link to her blog, just click on it. http://cyberfyberexhibition.blogspot.com/ There are links on her blog to where you can view the fiber art submitted, and get other information on this fantastic show.

The fabric/fiber postcard I posted here is the one I made for this show. I swapped with Susan for one of her beautiful fabric postcards. I didn't do any sewing on this postcard, but did use lots of fabric and fiber. The background is fabric and lace I rusted myself. (Here's a link to my post on that on my blog. http://valsalteredheartjourney.blogspot.com/2008/02/these-are-photos-of-various-fabrics.html) Then I glued down tea dyed cheese cloth, rusted found objects, some cool fiber trim, and the sun charm.

This piece is a bit unconventional, compared to the vast majority of postcards submitted, 276 in total. Here's the link to where you can view all of the postcards. http://cyberfyberonlinepostcards.blogspot.com/ Many beautiful postcards were submitted, so you should take a look and feast on the eye candy and huge variety of fabric/fiber art. I think it will excite you!

There will be a People's Choice Award given for the winning postcard and the winning ATC. The postcard with the combined "most comments" and votes from the exhibition at Gallery 80808/Vista Studio will be the winner. Consequently, comments do count and are important on that. Sooo, if you like my postcard, then please go to it and leave a comment. Here's the link again -- http://cyberfyberonlinepostcards.blogspot.com/, and my postcard is number 121, so just scroll down to it. And if you see other postcards you'd like to comment on, please do that too. I'm totally amazed and pleased at the variety of postcards submitted, it's totally awesome. I just wish I could go to the show, and see it in person.

Winter in Color and Texture

Oh my gosh, I'm so pleased with this piece and how it turned out. Actually more than pleased....I'm somewhat shocked that this came from me, and that I made it. More so knowing that it was a very easy, simple piece to make. I don't know, perhaps sometimes the simplest pieces of art can turn out the best. I've never been a big believer in "less is more" with my art, but now I'm inclined to believe that can be true in some cases.

This is a piece I made two days ago. In the span of a few hours. No pain, no angst, no false starts. And no, I didn't fly by the seat of my pants on this one. This one was planned ahead of time for entry into an art contest on a cool art website I signed up on recently. The theme of this particular contest is "Let it Snow". I looked at all the entries so far just to get an idea of what was being entered, and discovered the theme is wide open in how it can be interpreted. I was happy to learn that. So I knew I wanted to enter this online contest, and just sat back and let some ideas percolate in my mind for a few days until I had an idea I could start with.

I thought well, I should have some white in this piece, but it doesn't have to be all white or only white. It mainly has to evoke the idea of winter in some way. Then I thought, what evokes winter but bare trees? Trees with no leaves on them. So I cut some twigs off a tree in my yard. Then I thought I should paint them white. Regarding the background, I thought of using caulk, since it's white to start with, and I wanted lots of texture on this piece. (Well like duh....when do I not want lots of texture in my art?)

I always get excited when I use caulk in my art. It's one of my favorite media to use. So I spread wonderful caulk over this 5x7 inch piece with abandon. The base here is chip board. I used a vintage butter knife (with no serrations) to spread the caulk to get the kind of texture I wanted. That was easy enough and only took a few minutes to accomplish. The hard part was waiting for the caulk to dry, which I helped along with my hair dryer. I waited a few hours, and then proceeded.

Then I thought about painting it, and the colors I wanted to use. My first thought was using blue (acrylic) paint, because to me, blue is a winter color. Then it occurred to me to dilute the paint with water, to make it thin enough to run over the textured caulk in a totally random manner. It was fun to watch it run down this piece, to see the effect of randomness. I liked the way it looked with just the blue and white at that point. I had some cheese cloth dyed blue, so I glued that over the piece on which the twigs are glued. After I glued down the cheese cloth, I painted Matte Mod Podge on and sprinkled with very, very fine purple glitter. I wanted even more texture on the base piece, so I glued down some white and blue synthetic fibers I had. They were in a package I had bought a long time ago, and totally forgot about, but happened upon for this piece.

I liked it, but felt it needed another color, and purple is one of my favorite colors. I also felt it needed more white, but chose to use metallic platinum instead, and also metallic purple. I diluted those with glaze, and once again let them run down the piece. With the fibers on there, the diluted paint ran even more randomly. Then I glued on the twig piece, and outlined it with permanent blue marker. And voila, it was done and finished.

A part of me started thinking maybe I could add something more, but my muse adamantly put her foot down, and said NO, this piece is done!!! I had to agree with her, because I wanted this piece to be simple and organic. And I felt adding anything more would be too much, and ruin the organic effect. And I'm so glad I listened to my muse, and didn't argue. I'm not always that cooperative with my muse.

I haven't used caulk in my art for quite a while, and now I realize I've missed using it. It provides such fantastic texture, and is so easy to use, and what makes it even better is how cheap and accessible it is!!!

So in closing, I'm VERY happy with how this piece turned out, it's like how I pictured it in my mind when I started. And believe me, not much of my art turns out how I envision it when I start. Which is fine and okay, different approaches at different times to different pieces of art is okay, it's the "artist's way" I believe. For most of my art, I have no plans and fly by the seat of my pants. But sometimes, I settle down with a plan, and actually make it happen. I like making art both ways, and don't necessarily think one way is better than the other.

As an addendum here, I'm submitting this piece to the Mixed Media Monday (MMM) challenge. Here's the link. http://mixedmediamonday.wordpress.com/